Yamaha DPX-1000 DLP Digital Video Projector

YAMAHA Updated: 2007-10-10
Yamaha DPX-1000 DLP Digital Video Projector

DLP
720P DarkChip3™ Engine This DLP chip is Texas Instruments’ most advanced Digital Micro Mirror Device. As the name implies, it provides deeper blacks, while improving contrast in dark areas. Projector is equipped with the latest DMD HD2+ device, which uses narrow mirror gaps to improve contrast. Video processing is 10-bit from A/D conversion through to DMD output.

"Natural Black" Concept
To provide superior contrast, Yamaha developed the Natural Black concept, combining advanced technologies, parts and functions to achieve truer, deeper levels of black than ever before.

MAIN FEATURES

High Performance Optical Engine
Fujinon precision ground glass lenses feature a large f2.4 projection lens for low distortion and high density picture reproduction. Optical Iris increases depth of field and contrast ratio.

Yamaha Picture Management System
Full 10-bit component signal processing from input to output. Faroudja DCDi processing for standard definition sources. Yamaha original 1080 progressive processing: 3-2 pulldown and Motion Adaptive i/p conversion.Area Adaptive Scaling enables native 720p display.

DLP Engine
New 16:9 widescreen DLP chip offers HD-compatible resolution of 1,280 x 720. 5x color wheel ensures superb color reproduction by 3-color/6-segment dichroic coated monolithic filter.It also has a coreless air bearing motor for low-noise operation.

Custom Installation Solutions
Equipped with RS-232C serial interface, extended IR codes, IR I/O ports and power status trigger. DC12V for total system control.

"Silent" Projector Design
Tri-Silencer design ensures ultra-low-noise operation for total home theater enjoyment.

Motorized Optics for Ease of Installation
High power zoom (1:1.6) and vertical lens shift provide greater installation freedom. Motorized optical engine enables you to control both, as well as focus and iris, in a ceiling-mounted system.

Complete Color Balance Control
In addition to saturation and hue controls, a color temperature control allows adjustment of the white point, and you have full access to the six other chromaticity coordinates for fine tuning of the entire color range. Flesh tones can be adjusted without changing the color balance.